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With Endless Prophecy, the Italian duo Dead Twilight returns to haunt the depths of extreme death metal by merging their first two albums, Endless Torment (2015) and About the Prophecy (2020), into a remastered and compact version. Released by the Lille-based label GREAT DANE RECORDS, this reissue is far from a simple nostalgic throwback: it breathes new life into two records that, brought together under a single banner, reveal the full coherence of a dark, suffocating, and uncompromising vision.

Endless Torment, the first chapter of this body of work, laid the foundations of a dry, mechanical, and abrasive form of death metal. The album stood out for its raw intensity, with hammering riffs, war-machine-like programmed drums, and deep growls evoking the bowels of a decaying world. At the time, some criticized the slightly muffled production and synthetic drum sound, but the sheer impact and honesty of the music clearly prevailed.

Five years later, About the Prophecy marked a turning point. Without abandoning their brutality, the band introduced more structure and breathing room into their compositions. The result? A more balanced form of death metal, with darker grooves, more refined atmospheres, and a more controlled (though still improvable) production.

This is precisely where the 2025 version finds its true meaning. The remaster adds a new sonic dimension: sharper guitars, more organic drum sounds, denser atmospheres—and above all, the two albums flow naturally into one another. For the first time, we get a real sense of narrative progression: the raw rage of the first record gradually gives way to the apocalyptic prophecy of the second. Endless Prophecy becomes a complete, dark, and coherent work, more powerful than the sum of its parts.

For fans of: NILE, HATE ETERNAL & KRISIUN

Conclusion:

With Endless Prophecy, Dead Twilight delivers the definitive version of their foundational diptych. The remastering and unification of the two albums offer total immersion into the band's universe—brutal, cold, and uncompromising. This release on GREAT DANE RECORDS confirms that the Italian death metal scene has nothing to envy from the global giants. A must-have for die-hard genre purists.

he reissue of their second album "Fear of Oneself" is now available as a hand-numbered limited edition of 500 copies, fully remastered for the occasion.

Straight from the Italian underground, Exhuman unleashes a raw Death Metal assault, inspired by the old-school tradition — no frills, no gimmicks, just pure power. In seven tracks and just over 30 minutes, the band delivers crushing riffs, guttural vocals, and relentless drumming with surgical precision.

Blending classic brutality, sharp songwriting, and subtle melodic touches, this first album is made for headbangers, pit warriors, and fans of the genre's purest form. From the opening assault of “Pierce the Ground” to the final blow of “Absence of Sense”, Exhuman proves that sometimes, going back to the roots is the most brutal move of all.

Recommended for fans of Morbid Angel, Cannibal Corpse, Death, and early Decapitated.

100% underground. 100% Death Metal. Turn it up loud.

STORMGREY is old-school Death Metal from Vilnius, Lithuania. STORMGREY has its roots in the Death Metal scene of the early 1990's when its members played in various Lithuanian death metal bands such as DISSECTION, CONSCIOUS ROT, DAHMER, and ANOMALY.

For fans of ASPHYX, BOLT THROWER, HAIL OF BULLETS, FACEBREAKER.

ATTENTION : the pressing will be started if more of 60 pre-orders is reached. If not, the pre-order amount will be entirely refunded. 

Wrathrone play Old School Death Metal (OSDM). Fans know what that means: Death Metal with a chainsaw running through the amps and a bass sandpapering the ears of the listener. While the full in force HM2 pedal made me initially think of a Swedish band Wrathrone are from Laitila/Finland.

Subject of this review is their second full length album following up on “Born Beneath” only two years after that one saw the light of day. While their first effort has been released by Inverse Records they joined the roster of Satanath Records to bring out “Reflections of Torment”. As I am not familiar with “Born Beneath” I am not able to comment on any progression made during these two years but have to judge this album all on its own.

Although the first track “Throne” starts with some atmospheric and acoustic sounds it does not take too long until the musical onslaught gets on its way. The two guitarists Vili Mäkinen and Lauri Holm have massively down-tuned their instruments to provide that classic sound that will make fans of Swedish OSDM feel right at home. Together with the rhythm section consisting of bassist P. Wärri and drummer Mikael Ruoho they have forged a massive, groove laden album that brings to mind some of the famous work by cult heroes like Grave and Entombed. While all riffs can be found in the textbook of Swedish Death Metal they are put together in a way to feel coherent and diversified at the same time. The combination of the atmospheric main themes and short lead melodies played at the same time often provides for great atmosphere.

In my amateurish opinion Mikael is a fantastic drummer working with various rhythm and tempo changes without hurting the flow of the songs. There are some moments where it seems as if his fills are slightly delayed creating chaotic momentum for a few seconds just to drop back to the stoic and stomping main beat of the verse again. Another positive aspect is that the bass is audible and Wärri gets some short moments to shine as well. What makes this album a winner is the great variation of faster songs and slower ones. The chronological order of the tracks is chosen in a way to keep the attention of the audience over the whole 47 minutes.

Once in a while Wrathrone leave their comfort zone dipping their toes into other genres like Melodic Death Metal before stepping back to their Old School trademark sounds. While the music can get a bit more technical in a few sections as well consistent songwriting seems to be the main focus for the band and follows the classic verse-chorus structure for major parts of the album.

The filthy production is fitting the music like a glove causing a rotten overall atmosphere. If I had to express any complains it would be the fact that the vocals seem to be a bit buried in the mix. As Matti’s growling is pretty low pitched it is not easy to understand what the lyrics are about. On the other hand we are talking about very traditional Death Metal so one just needs to read song titles like “Failing Flesh, Enduring Spirit” to have an idea what they are all about. Adding to that Old School feeling is the cover artwork. As I am a sucker for black-white covers in combination with that kind of OSDM this is another plus in my books. Wrathrone did not try to be innovative in any way on “Reflections of Torment” but proudly wear their influences on their sleeves.

“Reflections of Torment” got everything I am searching for in that genre: The massive mid-range buzz, burly throbbing bass, the bellowed vocals and the perfect balance of catchy gallops, heavy blasts and thick monster grooves. Anyone who cannot get enough OSDM of the Stockholm school should give Wrathrone a try. Chances are good that you will end up adding “Reflections of Torment” to your collection.